![]() ![]() The film follows the rise of New York’s art scene in the 1960s as seen through the eyes of an influential New York rock band. No matter how you choose to watch the Velvet Underground, their music is sure to challenge and inspire you.Īpple TV will debut The Velvet Underground on October 15. ![]() Their later albums, such as White Light/White Heat and The Velvet Underground, are also essential listening. The band’s debut album, The Velvet Underground & Nico, is considered one of the most influential albums of all time. If you can’t catch the Velvet Underground live, you can still enjoy their music through their many studio albums. You can also find live recordings of the Velvet Underground online, and many of their concerts have been released on DVD. The band is currently touring the United States and Europe, and tickets are available for most shows. The easiest way to watch the Velvet Underground is to catch them on tour. Today, their music is as popular as ever, and there are many ways to watch the Velvet Underground perform live. Their unique blend of avant-garde, experimental, and rock music challenged the norms of the day and inspired future generations of musicians. Now Streaming covers international and indie genre films and TV shows that are available on legal streaming services.In the 1960s, the Velvet Underground was one of the most influential and controversial bands in music history. Still, Haynes lays out convincing evidence to support his film's implicit argument that The Velvet Underground were the most important band of the 1960s. Like The Velvet Underground, the band, The Velvet Underground, the film, may not appeal to more than a few. By that point, he's also made his latest work of art. Todd Haynes notes the fate of all his interviewees and other key subjects in his documentary, as any good documentary filmmaker should do. The Velvet Underground's songs appealed to my adolescent sensibility at the time, though now I find that it resonates more deeply and more widely through my consciousness. Even years later, when I first heard their often transfixing music, they were little known, and were only likely to be recommended by friends.īy my entry point to their music in the mid-70s, Lou Reed was an established solo artist, and John Cale had released a string of urgent solo albums. Lou Reed, John Cale, Sterling Morrison, and Moe Tucker came together from different backgrounds and different musical disciplines and experiences, and were able to hone, refine, and expand their artistic consciousness thanks to the patronage of Andy Warhol, who ruled the Manhattan underground in that era.įilmmaker Haynes gathers interviews with Cale and Tucker, the surviving members of the group, along with a select group of people who were there to bear witness to a phenomenon that never became very popular. It's very much an NYC film, in a manner similar to how The Velvet Underground could only have flourished artistically in Manhattan. So, even though, from outward appearances, The Velvet Underground may resemble a more conventional film, sticking to an anticipated narrative, much like his recent Dark Waters (2019), Haynes instead lulls the viewer into a pleasantly informative overview of the (relatively) short-lived band's career before more fully showing his hand by constructing a mosaic that reflects a wider river of influences that changed the course of the 1960s counter-culture. Some films are difficult to wrest away from personal expectations and memories.ĭirector Todd Haynes' Superstar: The Karen Carpenter Story (1987), Velvet Goldmine (1998), and I'm Not There (2007), serve as potent examples of the filmmaker's approach to musical influences and his artistic ambitions to subvert expectations through the adhesion of his personal perspective to his subjects.
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